DG Fuzz (Fuzz) B STOCK Paint Blemish

B Stock item due to small paint blemishes on base plate around screw holes

The Flattley DG Fuzz V2 pedal was featured in Guitarist Magazine Issue 508, February 2024 and further details on this amazing review can be found  on our “News” section under the “Home” and “About” pages. The Flattley DG Fuzz pedal was also given the  “Guitarist Choice” award which we are really proud of and is a testament to the DG Fuzz pedal’s tonal flexibility and quality.

The “DG Fuzz ” is effectively a “dual pedal” consisting of a simplified version of our “The Ace” tone booster pedal coupled with a 1960s style fuzz and a typical period tone stack. The inclusion of a buffer means the pedal can be placed anywhere in a chain of pedals without changing the behaviour of the fuzz circuitry.

There are 4 controls in addition to the bypass switch that allows the effect to be switched in and out of circuit. A true bypass scheme is used, the effect is active when the halo ring is illuminated.

Some typical settings…

Fat fuzz: Grunt clockwise, Tone anti-clockwise, Fuzz and Volume to taste.

60s fuzz: Grunt midway, Tone midway, Fuzz and Volume to taste

Thin scratchy fuzz: Grunt minimum, Fuzz midway, Tone and Volume to taste.

The blue halo light ring installed diffuses the light when playing live, avoiding being blinded by the standard LEDs just as you are about to go into that all important solo thus giving a larger area to see where the pedal is located easily on the pedal board on darkened stages. The addition of the large aluminium foot topper gives you more real estate for contact when switching the pedal on and off during quick changes when playing live.

All Flattley “Platinum Range” pedals are hand processed in our Flattley paint shop. The bare aluminium enclosure is abraded prior to painting with the etch primer. The etch primer acts as a anti corrosive layer and allows the primer to bond to the enclosure ensuring a tough resilient paint finish.

Multiple coats of base coat primer are applied which are then lightly abraded to remove any blemishes or paint speckles prior to the application of the base colour. We apply several coats of base colour until an even coverage occurs and the base colour develops rich smooth depth. Metallic holographic chrome flake is then applied using a clear inter coat which adds that all important Flattley sparkle.

The pedal enclosure is now ready to be hydro dipped in its Flattley graphics. This is the process whereby the graphics are applied using water activated film, the residual PVA film is then washed off and the enclosure is then allowed to dry naturally.

Once dried the lacquer process begins. Each “Flattley Platinum” pedal has a minimum of three coats of lacquer which are all wet sanded between coats. Once the lacquer has hardened, it is then hand polished using three different grades of polishing compounds and it then has a final polish to achieve a high gloss finish using a wool finishing pad. This process gives the smooth deep lustre finish that is inherent in all Flattley Guitar and Bass effects pedals.